DECISION or DESTINY

This file does not include written explanations as it is conceived for a visual reading. The virtual diagrams are approximate, technique photography. Unified music by Bach, Beethoven, etc. played an important role in clarifying the following.

Decision or Destiny 1
This file partially explains the discovery “Transition”. As a witness, I try to analyze the Who, When, Why, Where… 

Part one: I hiked the majority of the natural hiking trails in Western Canada and the USA, 1984-2000. While visiting one of the meadows near a campground at Harts Pass (elevation 2,000 meter), North Cascades, Washington, I became intrigued with the position of two side by side tamaracks (a curve tree right against an almost straight line one). They act as a portal to a mountain range. Please refer to natural connecting image 56-6g. 

Part two: In 2000, my wife and I moved to Prince George, British Columbia. We bought a house with the front and middle rooms (ceiling of 2.75m in height with two windows = limited indoor light leading to a living room of 5.5m in height with windows covering one whole wall = maximum indoor light). This transition of light inside the house somehow triggered the discovery of natural connecting image 61 “Transition of Light”.
While the combination (curve/straight line) of natural connecting image 56 remained in the back of our minds, we experienced the full growth of a similar combination (curve/straight line) in the neighbor’s yard, 2003-09. The background of this second combination curve/straight line was an elementary school instead of a mountain range. These two curve/straight line leaf trees were cut down by the neighbor in October 2009. 

Part three: The previous two combinations (curve/straight line) and the music of Bach, Beethoven… brought me to the natural connecting image 61-section 2, during the fall 2007. My first priority was to find the connecting elements between the small tree and the larger ones, for a fluid transition. This third combination of trees (curve/straight line) awakens the continuity of the previous combinations (Harts Pass -1990s- and the neighbor 2003-09) in the late 2000s. This third combination (curve/straight line) is at the edge of a canyon of light. For more information, please view transition 2 (4)

Part four: These three combinations (curve/straight line) accompanied by unified music, played a role in clarifying that not only the motion of hockey and vitockey’s players duplicate the combination curve/straight line, but so does the puck in the game vitockey. This combination curve / straight line lead to the unique discovery of the curve pass in the game vitockey, late 2000s.

Part five: The combination of trees {transparency (curve) versus opacity (straight line)} in natural connecting image 65 was not intentional, its purpose was to include transition 5-3 (analysis of the light on the ground) in the walking exercise. Realizing that the opaque tree was made of curves became a bonus.

Part six: Clarifications: 
A) Escher’s metamorphoses bring the proof that visual communication requires highly precise connecting elements. These images are a portal to the future and predict the discovery “connecting images” (visual unified sensory information), clarified in 2014.
For reference to the three following images, please view the handmade connecting images 18-23, 29, 30 and 28.
B) The combination almost straight line/curve is repeated three times in the naturel connection image 61-section2 (entrance-center-end) and its reference to Velázquez's formula (foreground-middle ground- background), became obvious in the late 2000s. For more information, please view transition 2 (5a-1, 5a-2, and 6a).

Choice (600 x 6000, 793kb) or (3000 x 30000,13.8mb). This PDF was created during the spring 2015. For a better understanding, please view natural connecting images 56, 61-section 2, and transition 2.
Decision or Destiny 2
The images on the left (Tr2-5a = the key trail, 2011) are part of the second section of natural connecting image 61D. This section of the linear drawing is a reminder of a personal wood sculpture created in 1984, 27 years earlier. PDF (1000x30000, 3.53mb).

Decision or Destiny 3
The discovery of a copy of a personal drawing reproduced in a natural state. The dimensions of the drawing are (17.5 X 14 X .005 centimeters) and those of the natural environment (30 X 97 X 25 meters in height). By comparing the volume of both (1.225 cubic centimeter) versus (72,750,000,000 cubic centimeters) one realizes that the drawing is 59,387,755,102 larger than in 1977. Dimensions are approximate.
This discovery became obvious while hiking inside natural connecting image 62, in northern British-Columbia, Canada, in 2009. 
In the natural world, blends serve as connectors to the opposed elements (forms, color, light, shade...). The ease to connect these oppositions is so precise that we are unaware of the existence of blends unless we spend a great amount of time surrounded by nature or unified sensory information.
One has to wonder how this 42 year transition was planned. Please refer to TRANSITION 1.

Theory or fact: Competition is eventually replaced by co-operation when surrounded by unified sensory information.  

Jean-Jacques Giguère © all rights reserved